Models
Presence is the brief.
We look for faces and walks that hold a room, from a first casting to the last look. Experience is welcome. It is not a gate.
Apply as a model
What we are actually looking at.
Not a measurement sheet. Three things a photograph can already tell us, and one that only a room can.
- 01
The face in still light
A portrait where nothing else is doing the work. We want to see bone, expression, and whether you can be quiet in front of a lens.
- 02
The walk
Speed, posture, and the decision to arrive. Runway experience helps. A clear sense of your own body helps more.
- 03
Range
Print and cloth. Tailoring and ceremony. The house casts across womenswear and menswear.
- 04
The room
Professionalism is part of the look. Call time, fittings, and the ability to wear someone else’s idea without losing your own.
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The portrait
Still, direct, and finished. The picture you would send a designer who has never met you.
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The tailor
Menswear needs a different temperature. Shoulder, collar, and the confidence to stand still.
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The walk
One length of the runway, taken as if the clothes depend on it. Because they do.
If you are cast
You leave with more than a memory of the lights.
Casting, styling, and direction. A walk in front of a live room. Portraits you can use. A public credit next to the clothes you wore.
New faces and working models are read the same way: does the picture hold, and can you be in a fitting without the room having to manage you.
Send a portrait
Models
Show us the face. Tell us the city.
A name, a portrait, and a line about the work you have done — or the work you want.
Apply as a model